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Scores 1765623 votes Pumpkin (Tim Roth) and Honey Bunny (Amanda Plummer) are two thieves who, while dining at a coffee shop, decide that the best thing to do is to rob it. Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), two hit men working for mob kingpin Marcellus Wallace (Ving Rhames'), are sent to retrieve a very special and very mysterious briefcase for their boss. Vincent later must also show Mrs. Wallace (Uma Thurman) a good time while her husband is out. Butch Coolidge (Bruce Willis) is an aging prizefighter who is being paid to "take a dive", but instead accidentally kills his opponent, and tries to flee town, but not before getting his dead father's lucky golden watch. These four seemingly unrelated stories are interwoven in a non-linear fashion 1994 John Travolta Quentin Tarantino

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Still, my biggest problem is exactly what´s supposed to be the movie´s greatest asset: the atmosphere it creates. So many critics mention the violence, and the argument of the fans is always: there´s not so much violence in there, other movies have way more and way harder violence. Well, it´s neither the quantity nor the viciousness that bother me. It´s the fact that violence is really, really cool in this movie. Pulp Fiction made violence and murder to mainstream coolness. Many great films have cynically shown bare violence and thus made their points about society, relationships, human nature etc. In this case, there´s no point to be made - and please, I don´t just mean a moral point. The PF characters are neither good nor bad, neither tragic nor pitiful, they´re barely human. All they are is cool. Cool caricatures. And that´s just not enough for me in order to be really moved by a movie.
PF had a perfect timing, as mentioned in another recent review. However, I sincerely hope it won´t be viewed upon as the ultimate nineties icon in the future - the nineties weren´t just about senseless violence and cool comments; there was much more, and it was way better.

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